Hi, I know. Sorry. I’m so good at blogging that I haven’t done it in a literal age – I think the animated He-Man was still on its original airing the last time I wrote one! Anyway, I’m back and this time, I will be blogging regularly (yes, really – I mean it this time!).
I should really tell you about everything that’s happened since last *mumble*… So:
To start with, those albums I was banging on about. Well, two of them are available to buy and stream RIGHT NOW! The Forest and Cypher can both be found on all your favourite platforms. I’ll start by telling you a little about the first release, The Forest.
(Find it on iTunes/Apple Music, Spotify, Amazon, Deezer, and Google Play.)
I blogged a little about it when I recorded the album, but let me refresh your memories. This album, released last August, was inspired by my dog walks through the local woodland. Written over the course of half a year, it’s sort of a concept album; the idea is that each track tells a story that might happen through the course of a single day (and night) in a forest. It starts at dawn and ends up at a moonlit pool, making its journey via a babbling brook and all sorts of plants and creatures going about their business. Could I be more specific about what I see in my head for each track? Yes – but I don’t want to. I want the music to do that for itself.
How it’s made
I did all the initial composition for The Forest in my studio. Then, because I wanted to create music that sounded different to anything I had done before, I went to my brother’s studio to avail myself of his synth collection (and also his skills as a producer. We often use each other as sounding boards for our respective work – more on that later!). Dan and I mucked about with a Roland Juno 6, a Roland SH-101, and an Arturia Minibrute. He also showed me how to use his Arturia Beatstep Pro to do some drum programming – which was so cool, I bought one as soon as I got back into my own studio!
The Forest was recorded at Script Studios in London. The fabulous musicians who played on it are Sara Wolstenholme, Kirsty Mangan, Laurie Anderson and Peter Gregson (with some piano and Hammond organ played by me). I was lucky enough to have Joe Rubel to engineer and mix the album and John Webber at Air Studios to master it. It sounds great – and that’s really thanks to the quality of players and to Joe and John’s amazing work. People often forget how much creativity mix and mastering engineers bring to a project, not to mention the giant leap in quality the players bring with their interpretations of your music.
So there you have it. A little about The Forest. Next time, I’ll tell you all about my second album, Cypher. But for now, TTFN.